Music by Phillip Evergood :: Essays Papers

Music by Phillip EvergoodThe Painting Music by Philip Evergood is most unimpeachably one of my all-time favorite paintings. The painting has so m any(prenominal) rich colors and lively shapes. It literally makes you feel as though you were sitting either in the same room as the people in the painting or possibly even playing music along with them.I venture that what Philip Evergood was trying to accomplish with this painting was a feeling of unity through music and I believe that he did an outstanding job of showing this. He made a great effort to show the diversity in his subjects. He shows old men, young men, black men, sporty men, old women, young women white women, and black women. He uses his theme of music to show incredible unification.One other thing that I especially liked about the painting was the incident that you could almost feel the type of music being played in this modest room. You actually get a feel for the time period and practiced by being able to see the d etail in the individuals clothing and expressions on there face there is something here that screams jazz. In further enquiry I found that Evergood was indeed a jazz fan and the time period 1933- 1959 does indeed make it a possibility that jazz was the music that these individuals were playing.I especially like how Evergood incorporated so legion(predicate) different instruments in his work. Yet another link to jazz in my opinion. He has an insane uniting of horns and brass and drums and violins. He has not only portrayed the diversity of music and people but he has shown the unity in music and I hazard that this was his main theme and I believe that it could not have been executed more beautifully by any other artist at any other time.From the theme of unity and his ability to express it so well to his actual painting technique I believe that Evergood has accomplished something that so many artists reach for. He has given his painting life. He has shown that there is a direct me aning behind themes in his painting. Themes that are not so very much hidden but more or less right in your face, ready to be taken in.